Understanding our parents can sometimes feel impossible, staring across a generational divide and an ocean of shared memories that we see differently from each other. Now imagine how much harder coming to grips with the complexity of your parent would be if your dad was an infamous serial killer. That’s the premise of Happy Face, a new true crime drama from The Good Wife creators Robert King and Michelle King.
Annaleigh Ashford, who recently thrilled on Broadway as the murderous Mrs. Lovett in Sweeney Todd, stars as Melissa Reed. Melissa is a wife, a mother, and a professional make-up artist — and the haunted daughter of the Happy Face Killer, Keith Jesperson (The Substance‘s Dennis Quaid). During the decades since he was caught, they have been estranged. That is, until he claims there was a ninth victim the cops never tied to him. But he’ll only give details to his darling “Missy,” who just so happens to work for a talk show that’s equally eager for exclusive interviews with this serial killer.
This is a rich setup for a crime investigation thread. But what makes Happy Face a standout is how series showrunner Jennifer Cacicio balances the murder mystery with character-driven drama that is alarmingly relatable. Be warned: This show is ruthlessly gripping.
Happy Face is based on a true crime case and a survivor’s story.
Credit: Ed Araquel / Paramount+
The first episode of Happy Face details the broad strokes of Jesperson’s real-life crimes. A truck driver in the 1990s, he targeted young women that he came across in his travels, sexually assaulting and then fatally strangling them. His jarring nickname came from the letters he sent to the media as taunts. These menacing missives were signed with a doodle of a happy face.
The troubling juxtaposition of Jesperson’s predilection for a cheerful exterior and a dark heart is reflected brilliantly in Happy Face through Quaid’s unsettling performance. In the present-day timeline, he is downright jolly as he addresses Melissa, the grown daughter who’s being morally blackmailed to reconnect with him. Yet, despite the orange jumpsuit and the shackles, he’s giving off a disarming dad vibe, even as he speaks bluntly about his victims. In flashbacks to time before he was caught, he seems outwardly like any blue-collared dad, his grin paired with a plaid shirt, playful attitude, and a ball cap. However, a vicious intensity hits in bursts, as his eyes flash with panic or his smile twists with menace. Even in the present, that smile can slice like a blade.
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Credit: Ed Araquel / Paramount+
Smartly, director Michael Showalter picks jaunty tunes with lyrics about having a “happy face,” which not only reflects Keith’s troubling duality but also play as a warning to his daughter. For years, she’s worn a happy face as a mask of normalcy, protecting her husband (James Wolk) and children from her dad and the shame and recriminations from those appalled by him. But as she’s pressured to wade back into their past and her own sense of guilt over the killings, songs urging to “put on a happy face” feel like they mock her — or worse — push her toward the dangerous duplicity her dad used to hide in plain sight. Basically, if you’re presenting one face to the world to hide another, aren’t you inherently a threat?
Over the four episodes presented to critics, Melissa grapples with the desire to do right, aiming to free a man she believes was wrongfully convicted of her dad’s murder. But the show pulls inspiration Jesperson’s real-life daughter, Melissa G. Moore, who made a podcast (Happy Face) and co-wrote a book (Shattered Silence) about her experience. As such, this series also digs into the psychological challenges of processing her father’s truth and his crimes. What do they mean as far as who she is, who she will become, and what she owes the world?
Happy Face explores true crime and personal accountability.
Credit: Katie Yu / Paramount+
This crime series explores regret and redemption as its heroine reconnoiters her past to save someone else’s future. But in doing so, she must sacrifice the anonymity that served as protection, keeping her husband and children away from the influence of her devilishly charming father. This makes every episode a meal for Ashford, whose heroine must leap from everyday dramas like reprimanding her reckless teen daughter Hazel (Khiyla Aynne) to plunging into childhood artifacts for clues and staring down her father, while her co-workers look on.
See, making things even more complicated for Melissa is she’s the make-up artist for Dr. Greg, a Dr. Phil-like talk show that is happy to exploit her familial tragedy for ratings. The producer assigned to her is Ivy (Tamera Tomakili), who is hard-nosed when it comes to getting the story, but also at times the voice of reason Melissa needs to pull her out of a self-focused spiral. Through Ivy and the talk show, Happy Face takes a step back to take in the complicated ethics around exploitation and spectacle in true crime. The two will have frank conversations about why people are so fixated on this subject, and how societal biases impact who’s cast as the heroes and villains, justly or not.
Beyond that, Happy Face explores how Melissa’s relationship with her parents compares to her relationship with her daughter. Flashbacks to Melissa’s teen years are framed to be parallel to Hazel’s experience with bullies, but also in the way both Melissa and her own mother are overwhelmed with the challenge of coping with the discovery of a serial killer in the family tree. Sure, few of us may be able to relate to the latter. But with the opening episode, Cacicio’s writing and Showalter’s direction so masterfully knit the fabric of this family — estranged and strange as they may be — as to be joltingly familiar. In casual conversations about dinner and grounding, goofy moments of getting caught off-guard while on a secretive phone call and impulsively buying treats to smooth over a rough day, Melissa’s journey has enough tactile touch points for viewers that we can’t help but be sucked into her story.
For her part, Ashford is an enchanting tour guide through the show’s trauma, tragedy, and sharply witty moments of release. She’s no-nonsense without being stiff. Her eyes flash with the intensity of her onscreen father, but carrying an agony and earnestness absent in his. While the series’ first four episodes are thoughtfully plotted with surprising twists and gnarly revelations, it’s Ashford’s grounded but riveting performance that makes them downright addictive. Her openness and frankness gives the air that anything could happen next. And while this is based on a true story, halfway through the first season, I can’t be certain where this mystery show will end up. And that’s damn exciting.
Happy Face was reviewed out its World Premiere at the 2025 SXSW Film Festival. The first two episodes will debut globally on Paramount+ on March 20, with new episodes airing each Thursday.
